Section: Special: Belarus

Myazha Narvilishak

Forgotten

Dmitri Makhomet
Belarus, France, 2014, 79 Min

A bitter twist of fate: during the drawing of demarcation lines between the Soviet Republics in 1939 nobody dared remove Stalin’s pipe from the map, consequently the borders were drawn around it. It was thus that the Belarusian village of Narvilishky ended up being allocated to Lithuania. At the time nobody foresaw the implications of this decision.

Arturo Mio

Today Narvilishky, inhabited solely by Belarusians, none of whom speak Lithuanian, is called Norviliskes and finds itself separated from the neighboring Belarusian village of Pyatskuny by a borderline. In 2004 this border was transformed into an external frontier of the EU and has been guarded accordingly ever since. Families and neighbors are divided, their attempts to stay in contact hindered by ever ubiquitous hurdles and a general sense of enmity. Director Dmitri Makhomet’s sensitive camerawork draws us closer to the protagonists, allowing us to share in the concerns and hardships they suffer as a result of the border situation. His ability to capture particularly special moments make this a unique work, reminiscent in its subject matter of the dislocation caused by the Berlin Wall. MM

Filmformat
DCP | Doc. | Farbe / colour
Drehbuch
Dmitri Makhomet
Kamera
Rimvydas Leipus, Dmitri Makhomet
Ton
Valerie Baeu, Yan Volsy
Schnitt
Françoise Tourmen
Produzent
Stéphanie Roussel
Produktion
Arturo Mio
Co-Produktion
Belarusfilm
Kontakt
Arturo Mio
Stephanie Roussel
68 Rue Rene Boulanger
75010 Paris
France
+33.14.04.02.65 8
www.arturomio.com
sroussel@arturomio.com
Dmitri Makhomet

Dmitri Makhomet - born in 1975 in Malye Azerki, Belarus. Lives and works in Paris. He studied at Le Fresnoy, Studio national des arts contemporains. His films have been screened at Locarno Festival, Cinéma du Réel, Minsk International Festival Listapad and more.

Movies
MALYE AZERKI (2006, short, doc)
AUTOMNE (2012, short, doc)
TY SIUDY BOLSH NE VERNESHSIA (ABO VETSER SUMUE BEZ MIANE) (2017, doc)

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