oktobar
oktobar
On October 5th 2000 the street protests in Belgrade culminate in a rebellion against the autocratic government of Slobodan Milošević. The period thereafter was one of hopes for greater democratic freedoms, the murder of the Europhile prime minister Zoran Djindjić however was a shock for many Serbs from which the country, at least politically speaking, has yet to recover.
Today, little more than ten years after the revolution, seven young Serbian directors enquire after the “condition humaine” of their society. A society infected by nationalism from the right, cronyism from within and a lack of external mobility. Young adults on a rollercoaster ride of emotions seemingly headed in the wrong direction. Wasn’t this once a country with a bright future, informed by a new vision of society?
Seven artists’ impressions of a society caught between dictatorship and the European Union, war and reconciliation, in transition from the old system to a new world, the nature of which remains unclear. Seven means of concurrently persevering both change and stagnation.
DigiBeta | Farbe / colour
Marijana Čulić Vićentić, Tanja Stupar Trifunović, Gorana Jovanović
Dalibor Tonković, Dragan Vildović, Tatjana Krstevski, Relja Ilić, Dane Komljen, Đorđe Arambašić, Vukašin Veljić
Saša Rančić, Davor Duboka, Jakov Munižaba
Sanja Bulat, Tamara Joksimović, Tijana Trailović, Mina Ilić, Marko Salapura, Bojana Zeka Nikolić, Irena Kukrić
Aleksandra Krstić, Draško Adžić, Vera Sablić
Nikola Rakočević, Sara Marković, Dejan Čančarević, Andela Kosić, Ana Kalačanović, Milica Šujica, Ljiljana Dragutinović
Vision Team
Fakutltet Dramskih Umetnosti
Stefan Arsenjevic
Bulevar umetnosti 20
11070 Novi Beograd
Serbia
Tel: +381.11.214 04 19
Fax: +381.11.213 08 62
oktobar2010@gmail.com
Milica Tomović, Ognjen Isailović, Ognjen Glavonić, Damir Romanov, Dane Komljen, Senka Domanović, Ivan Pecikoza - The directors are fourth year directing students at the Faculty of Dramatic Arts in Belgrade, Serbia. This anthology film arose under the supervision of Professor Slobodan Šijan and with the aid of Stefan Arsenijević.
