When the group that has gathered around Avi and his friends Kobi and Yaniv verbally harasses the secular Miri, insisting that she wear more “modest clothes”, Avi starts to falter. He has taken a liking toward this independent, no-nonsense girl, and he senses that his usual modus operandi of enforcing his own notions of the faith might not, after all, be the solution to the world's troubles.
Meni Yaesh’s wonderful feature film debut HA-MASHGICHIM, produced by Marek Rozenbaum, a member of this year’s FilmFestival Cottbus International Festival Jury, is a cautionary tale of bigotry and violence, as well as an unbiased portrayal of a group of high-strung young men who swing back and forth between the comfort of patriarchal entitlement and a subjective interpretation of worship. Part thriller, part social-drama, the film stands out with a keen analysis of what a clear conscience entails and willingness to tackle its controversial subject matter. EY
DCP | Farbe / colour
Meni Yaesh
Shahak Paz
Matthieu Vigouroux
Udi Tugendreich
Roy Assaf, Gal Friedman, Itzik Golan, Rotem Ziesman-Cohen, Gili Shoshan
Bizibi
Transfax Film Productions
Sara Cohen
Yagia Kapayim, 3
67778 Tel Aviv
Israel
Tel.: +972.3687.12 02
sara@transfax.co.il
www.transfax.co.il]
Meni Yaesh - born 1980 in Bat Yam, Israel. He studied at the Camera Obscura School of Arts before graduating from the Minshar School of Art, Tel Aviv, in 2007. His early short films brought him to the attention of international audiences. Yaesh also works as a screenwriter. HA-MASHGICHIM is his feature film debut back in 2012.
ELIKO (2007, short)
BLOOD PARKING (2009, short)
AVINU (2016)