"In my parent's house we weren't allowed
to show feelings, neither pain nor joy;
duty for duty's sake, the nation over the
individual, discipline and authority, that
was my world.“ Four men born in the
nineteen-twenties speak with director
Peter Voigt back in 1989 about a childhood
spent during the era of National Socialism
and how naturally they had internalised
the values of discipline and commitment
to duty, often joyfully following the Nazi
ideology in the process. The resulting emotional
vacuum was easily filled by a sense
of community and fascist romanticism.
35 mm | s/w / b/w
Christian Lehmann, Peter Voigt
Christian Lehmann
Udo Cott, Eberhard Schwarz
Deutsche Kinemathek – Museum für Film und Fernsehen
Dorothée Basel
Potsdamer Straße 2
10785 Berlin
Tel.: +49-30-300 903-32
Fax: +49-30-300 903-13
filmverleih@deutsche-kinemathek.de
www.deutsche-kinemathek.de
Peter Voigt - – born 1933 in Dessau. Worked as assistant
director to Bertolt Brecht at the Berliner
Ensemble in the fifties, becoming personal
assistant to stage director Peter Palitzsch
at the age of twenty-two. Has since the
sixties worked as a director and author of
documentary films in the field of contemporary
history.
PS ZUM LACHENDEN MANN (1966, doc)
EIN MANN SELTENER ART ... AUSSAGEN ÜBER HANS OTTO (1970m doc)
SCHLACHTFELDER (1986, doc)
METANOIA – BERICHTE DEUTSCHER MÄNNER (1992, doc)
DÄMMERUNG – OSTBERLINER BOHÈME DER 50ER JAHRE (1993, doc)
BELLA ITALIA – ZUFLUCHT AUF WIDERRUF (1996, doc)
BERTOLT BRECHT – BILD UND MODELL (2006, doc)